January 20, 1982: Ozzy Osbourne bites the head off a live bat in Des Moines, Iowa.
January 20, 2012: The first tracks are recorded at Leaky Roof Studios.
I mentioned this little coincidence while sharing my excitement on the phone with my mother as I drove from work to the studio to lay down the drums for the PackaBastards cover of “A Question of Lust.” She was happy to hear the news that we would be recording in the studio, and noted that I had worked very hard for a long time to get to this point, where I am a co-owner of a professional-grade recording studio.
It may have taken just over 40 years, but mom finally sounds convinced that this music stuff isn’t just some passing phase of which I’ll grow out.
Got to the studio around 5:30pm, with Chester ready to get this momentous occasion going. He started building This studio in 1991, when he was only 16 years old. For about 20 years, his structure (now the drum room and vocal booth) served as a rehearsal place for his bands. It was built on the side of a 2-car garage, which now serves as the control room.
We had spent hours over the past week or so setting up every microphone on the kit, checking levels, and mixing. Once that was done, we set the tempos for the songs we plan on recording and created ProTools files.
On the night of recording, the only thing we had to worry about was the drum parts. We had started to cover this song around the time that we lost our singer, which was around the time that construction began. We recorded those parts and reviewed them, making changes based on the sound that we have envisioned.
The session concluded around 10:00pm, and we picked up where we left off at 9:30am the next day. By 4:00pm, we had a completed drum track for the song. Now we can add other instruments, percussion, synth sounds, special effects, and anything else.
While we have intentions of recording other bands in the future, we have now found ourselves in a very unique position. We have our professional-grade studio, completely at our disposal. Of equal importance, we’ve found someone with talents comparable to ours who also happens to posses an incredible voice and strong pop/rock sensibilities in the realm of writing. With that, we’ve found ourselves not resting on our laurels, transferring the insane schedule and energy that once fed our construction activities into our music.
The future is very exciting.

